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The grants of The jury was impressed both by the overall quality of the applications and also that many of the proposals shared similar concerns. In particular, there were a of projects that sought to address working conditions in a technologically mediated society. The three awardees shared an interest in sex or drug-taking as activities that have been profoundly commodified in recent years.

They all use artefacts or individuals from the modernist past as the lenses through which they try to read our current condition as individual workers active at different levels of society, from poorly paid sex workers to hyper productive and sexualised managers in Silicon Valley. This film depicted the daily life of a woman as housewife, mother and sex worker almost half a century ago. The jury was very appreciative of the ambition to look for the contemporary Jeanne Dielman, whose life is still constrained by gender roles yet has been Grants sex webcam by the global neoliberal order.

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Bauer proposes to realise a new film focusing on sex work today in collaboration with a community of sex workers in Scotland. This will be the first part of a film trilogy investigating the lived experience of gendered labour in Europe today.

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The Doors will orient itself around nootropics or smart drugswhich are cognitive enhancers highly popular among the techno-elite. Nootropics like LSD are no longer connected to the s counter-culture and its psychedelic belief in new "doors of perception".

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Rather they have become efficient delivery mechanisms to facilitate high-value individual workers to live, and therefore work, forever. Daniel Jacoby directly addresses the world of digital sex work where isolated webcam sex performers set themselves up as small-scale entrepreneurs.

This gives them a sense of independence but regularly in self-exploitation, abuse, injustice and sexism.

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There has been very little artistic reflection on the phenomenon of webcamming despite it becoming a major industry. This project aims to approach the subject from an alternative, indirect perspective in the form of a fiction-driven experimental documentary. It will be performed by webcammers in their own environments and infused with their own experiences and stories. The film will look for the glimpses of authenticity that slip through the cracks of the characters and scenarios that these webcammers carefully construct to protect their real selves from the public eye.

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Many of the works developed in Oldenburg have been shown in international exhibitions and have been awarded various prizes. With their support Stiftung Niedersachsen intends to encourage one of the leading sites for media art in Germany, in its highly qualitative profiling to make art creation possible and to create international networks as well as local cooperations.

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For further information, please contact: info at edith-russ-haus. Deutsch English. Grants Current Archive. Imprint Sitemap. Ein Ausstellungshaus der.

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email: [email protected] - phone:(374) 269-3086 x 6951

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